HALL OF HARMONY CONCERTS
 

 
Profound Musicological Research in the Microcosm of Music
Peter Hübner “Space and Time in Music”
Excerpt from Peter Hübner's Book: “Natural Music Creation”” 
 
Space-Time Fusion through the Integration
of the Musical Spaces


    
 
But also when a tone iden­ti­fies with a motif, or a motif with a se­quence, the feel­ing of the space-time fusion domi­nates our mu­si­cal aware­ness, and we ex­peri­ence a genu­ine men­tal-spiri­tual enliv­en­ment.

  
The Identification of the Musical Force-Fields
  
 
These are mu­si­cal-com­po­si­tional phase tran­si­tions, by which a state of sus­pen­sion is gen­er­ated in the world of feel­ing, in the world of un­der­stand­ing, and be­tween the worlds of feel­ing and un­der­stand­ing. Here, op­pos­ing forces cancel each other out; here, the mean­ing of “op­pos­ing” is sus­pended; here, the mani­fold pairs of op­po­sites cre­ate an image of mul­ti­plic­ity on the level of unity; here, on the level of our feel­ing and un­der­stand­ing, we ex­peri­ence com­plete si­lence again and again. Re-emerg­ing from this deep si­lence we are permeated by the life-giv­ing source of com­plete mu­si­cal-crea­tive ful­fil­ment.

  
Musical-Compositional Phase Transitions
  
 
In mu­sic, time is the great part­ner of space.
Time and space are so in­ti­mately con­nected with each other that they al­ways appear to­gether.
In the clas­si­cal com­po­si­tion the unity of time and space li­ves as the play­ful to­getherness of two na­tures made for each other, who to­gether gov­ern in­fin­ity with great com­pe­tence.

  
Space and Time: Ruling the Infinity of Music Together
  
     
     
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  With kind permission of AAR EDITION INTERNATIONAL
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