HALL OF HARMONY CONCERTS
 

 
Profound Musicological Research in the Microcosm of Music
Peter Hübner “The Science of Music”
Excerpt from Peter Hübner's Book: “Natural Music Creation”” 
 
The Physics of Music


    
 
The phys­ics of mu­sic in the ob­jec­tive field is based on the meta­phys­ics of mu­sic – pro­vided the ori­gin of mu­sic, the har­mony, the ob­jec­tive basis of mu­sic, is per­ceived – and in the sub­jec­tive field it is based on self-knowl­edge.

  
Between Metaphysics and Self-Knowledge
  
 
Fur­ther­more, the phys­ics of mu­sic ranges from the tech­nol­ogy of sub­jec­tive mu­si­cal pro­duc­tion – the me­chan­ics of the mind, the me­chan­ics of the in­tel­lect, and the me­chan­ics of the senses and their mas­tery by the in­ner self – to the phys­ics of mu­si­cal in­stru­ments, and to the en­tire ma­chin­ery of mu­si­cal pro­duc­tion, and mu­si­cal re­pro­duc­tion re­spec­tively.

  
The Physics of Generating Music
  
 
In this con­text it is nec­es­sary to dis­tin­guish, from within as well as from out­side, be­tween the phys­ics of mu­sic and the phys­ics of an acous­tic event, be­cause the phys­ics of mu­sic, with com­pel­ling logic, con­tains the crea­tive back­ground for pro­duc­ing mu­sic, while the phys­ics of the acous­tic event does not take into ac­count the im­por­tant fac­tor of crea­tiv­ity, which alone trans­forms an acous­tic event es­sen­tially into mu­sic.

  
The Physics of Music and the Physics of the Acoustic Performance
  
     
     
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  With kind permission of AAR EDITION INTERNATIONAL
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