HALL OF HARMONY CONCERTS
 

 
Profound Musicological Research in the Microcosm of Music
Peter Hübner “The Science of Music”
Excerpt from Peter Hübner's Book: “Natural Music Creation”” 
 
The Scientific Aspect in Music


   
 
The as­pect of natu­ral sci­ence in mu­sic con­cerns the natu­ral­ness of mu­sic, and that which is na­ture-given in mu­sic; that which in mu­sic cor­re­sponds to na­ture, and that which is na­ture it­self in mu­sic.

 
The Share of Nature in Music
 
 
  1. In­so­far as the Self is na­ture-given and in­her­ent in man, mu­sic at its basis is con­cerned with sci­en­tific re­search;
  2. for, with his Self the mu­si­cal crea­tor de­sires the mu­sic on the level of his mind;
  3. for, with his Self he con­trols and struc­tures the mu­sic on the level of the mind through his in­tel­lect;
  4. for, with his Self he lis­tens to the mu­sic through his sense of hear­ing on the level of the mind.

 
Scientific Research on the Field of the Originator of Music
 
 
In­so­far as the in­tel­lect, the means of gain­ing knowl­edge, is na­ture-given and innate in man, mu­sic at its basis is con­cerned with sci­en­tific re­search;
  1. for, with his in­tel­lect the mu­sic crea­tor con­trols and struc­tures the mu­sic on the level of the mind.

 
Scientific Research on the Field of the Music Creator
 
 
In­so­far as the sense of hear­ing is na­ture-given and innate in man, mu­sic at its basis is con­cerned with sci­en­tific re­search;
  1. for, with his sense of hear­ing the mu­si­cal crea­tor hears the mu­sic on the level of his mind.

 
Scientific Research on the Field of Music Listening
 
 
In­so­far as the mind is na­ture-given and innate in man, mu­sic at its basis is con­cerned with sci­en­tific re­search;
  1. for, with his mind as his origi­nal mu­si­cal in­stru­ment, the mu­sic crea­tor cre­ates the mu­sic.

 
Scientific Research on the Field of the Musical Artist
 
 
In­so­far as the neu­ro­physi­ol­ogy is na­ture-given and innate in man, mu­sic at its basis is con­cerned with the field of sci­en­tific re­search;
  1. for, with his neu­ro­physi­ol­ogy the mu­sic crea­tor per­ceives the outer, in­di­vid­ual ef­fect of his mu­sic.

 
Scientific Research on the Field of the Musician and the Listener
 
 
In­so­far as the en­vi­ron­ment is na­ture-given and given to man by fate, even the outer mu­si­cal per­form­ance is con­cerned with sci­en­tific re­search;
  1. for, with the help of his en­vi­ron­ment the mu­sic crea­tor per­ceives the outer so­cial ef­fect of his mu­sic.

 
Scientific Research on the Field of the Music Performance
 
     
     
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  With kind permission of AAR EDITION INTERNATIONAL
© 1998 -  MICRO MUSIC LABORATORIES
   
     
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