HALL OF HARMONY CONCERTS
 

 
The Principle of Dynamic Space Stereophony®   –   Peter Hübner “The Physics of Music”
Excerpt from Peter Hübner's Book: “Natural Music Creation” 
 
The Fixed Tone


    
 
The con­ven­tional use of mu­si­cal in­stru­ments, and the prac­tice of per­form­ance and mu­sic re­pro­duc­tion so far, did not even permit such a pro­found ex­peri­ence to be imag­ined be­cause, among other rea­sons, the per­fec­tioned in­stru­men­talists, while in­ves­ti­gat­ing, plan­ning and con­structing, ran aground in the field of pe­ri­odic waves.

  
The “Perfectionist” at the Instrument
  
 
A pe­ri­odic wave com­pletely fixates the spec­trum of over­tones. And be­cause of this com­plete fixa­tion, along with the over-em­pha­sis on the ba­sic tone, we lis­ten­ers do not get an im­pres­sion of the ex­is­tence of an in­fi­nite space-time di­men­sion within the tone.

  
The Periodic Wave
  
 
The con­ven­tion­ally pro­duced in­stru­ment sound re­minds us of a tree that no longer re­ceives nour­ish­ment, and there­fore dries up.

  
The Dried-Up Instrumental Sound
  
     
     
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  With kind permission of AAR EDITION INTERNATIONAL
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