HALL OF HARMONY CONCERTS
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In his book, Natural Music Creation, the classical composer Peter Hübner writes that the composer experiences the music in his inner being as a dynamic spatial-temporal process of development: The musical elements – the sounds, the motifs, the melodies and the sequences – unfold both temporally and, in accordance with the laws of musical logic, spatially – and this is testified too by the statements of our great classical composers. The conventional performance style with its sounding “orchestra- apparatus” fixed in space has not so far done justice to this truth of the spatial-temporal development of the music in the consciousness of the composer. The reason for this failure is due to the fact that the conventional performance practice has hitherto restricted itself to presenting in the acoustical realm – in regard to the spatial-temporal development – merely the seating arrangement of the orchestra: a fact, which is not even designated in the score, since it does not attach any musical significance worth mentioning to the classical composer. |
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